Orpheus und Euridice eine Oper...; Clavierauszug der Partitur... herausgegeben von C.F. Cramer. Johann Gottlieb NAUMANN.

Orpheus und Euridice eine Oper...; Clavierauszug der Partitur... herausgegeben von C.F. Cramer

Kiel: bey dem Herausgeber und in Hamburg in Commission bey Herrn Hofmann, 1787. Oblong folio. Early speckled tan paper boards. [i] (title), ii (blank), iii-iv (subscription list), v-x (foreword), xi-xviii (libretto), 112 pp. typeset music. With text in Danish and German.

From the collection of the composer's grandson, the composer Karl Ernst Naumann (1832-1910), with his faint signature to title.

Binding worn, rubbed and bumped; slightly lacking at spine. Some foxing and browning throughout. A very good copy overall.

First Edition. BUC p. 725. RISM N189.

A Singspiel in three acts to a libretto by Charlotte Dorothea Biehl after Ranieri de' Calzabigi, Orpheus und Euridice was first performed in Copenhagen at the Royal Opera on January 31, 1786 to a libretto by C.D. Biehl after R. Calzabigi.

"In 1785–6 [Naumann] was guest opera composer and conductor in Copenhagen, where he also reformed the Hofkapelle and improved the organization of the court opera. For Copenhagen he composed the tuneful and charming Danish opera Orpheus og Eurydike (1786)..."

"Orpheus was intended to test Naumann’s abilities before King Christian VII offered him an official appointment at the Danish court. The music was praised for its colourful harmonies and sensitive orchestration; Naumann uses Gluckian accompanied recitative throughout, while the choruses and arias range from expressive through-composed scenes to short, perfunctory lied forms. The orchestra consisted of 40 players at the première and included trombones, for which the theatre had to be enlarged. Orpheus remained on the stage in Copenhagen until December 1791, and, in addition to a vocal score in German translation (Hamburg, 1787), excerpts appeared in the catalogues of Dresden publishers until 1800..."

"...He was the most important personality in the music history of Dresden between Hasse and Weber, as well as one of the most esteemed musicians in Europe in the late 18th century and one of the last German composers to study in Italy." Dieter Härtwig and Laurie H. Ongley in Grove online. Item #21572

Price: $950.00  other currencies

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