10 pp. In E, 2/2 time, marked "Lento" at head. Folio (358 x 265 mm.). Unbound. Notated in ink on 18-stave Russian music manuscript paper. With numerous autograph corrections and amendations including pencil markings of an editorial nature.
The printer's copy, presumably used in preparation of the published edition. With pencilled annotation to upper left corner of title indicating receipt of the manuscript (presumably by the publisher) on October 13, 1928.
Slightly worn and soiled.
Not recorded in Slonimsky.
"In two fields of Russian music Grechaninov has a special place: children’s music and liturgical works. Even his first liturgy op.13 is worth attention; and in the op.19 choruses he used a new style, favoured by Katal′sky and others, recognizable by its modal harmonization of old Russian melodies. This initially aroused strong opposition from conservative church musicians. In the popular second liturgy Grechaninov solved the problem of the Credo by giving the text to a solo alto, who declaims it rhythmically while the choir sings the word ‘Veruyu’ (‘I believe’) in simple harmony. Grechaninov’s later use of instruments in para-liturgical works, his composition of a Roman Catholic Mass and motets (with organ), and his writing of a Missa oecumenica – a Latin mass for solo voices, chorus, organ and orchestra on Orthodox, Gregorian and Hebrew liturgical melodies – all testify to his liberal religious outlook." Inna Barsova and Gerald Abraham in Grove Music Online. Item #21831
Price: $4,000.00 other currencies