2 pp. Quarto. Dated Rome, October 8, 908. On stationery with "Corso Vitt. Eman. 154. Telefono Interprov. 458. Per telegrammi: Mascagni, Roma" printed in red at upper left. In Italian (with translation).
Mascagni responds to a proposal to write a "true and authentic" operetta. He likes the idea, but would encounter difficulties "of the moral-artistic order," and especially with his publishers, Choudens and Sonzogno. As indicated by his use of "tu," Mascagni and his correspondent were on familiar terms.
"But there is still a material difficulty, represented in my contracts with the publishers Sonzogno in Milan and Choudens in Paris, who will not want to adjust [their contracts] if they knew I worked for an impresario from Vienna before having delivered (as per contract) the operas that I must write for them ... As you've seen I haven't spoken of monetary interests ... but profits have never been a difficulty for the closing of my [business] deals."
Slightly worn; creased at folds.
A postcard photograph of five gentlemen on a street corner dated Paris 1911 on mount: Mascagni, the music publisher Edoardo Sonzogno, the writer Gabriele d'Annunzio and two unidentified others.
Mascagni, distinguished as both a composer and conductor, is perhaps best-known for his opera Cavalleria rusticana, which "was enormously successful from its first performance at the Costanzi in Rome in 1890. From then on Mascagni spent the rest of his long career treating a wide variety of subjects. His next opera, L'amico Fritz (1891), consolidated his success with Roman audiences, and revealed his lyrical vein. This fluent rustic comedy was successful particularly because melodic vitality - the outstanding merit of Cavalleria - was combined with a more elegant harmonic idiom." By the time this letter was written, Mascagni had also garnered considerable acclaim in Vienna, Paris, and London. Michele Girardi in Grove Music Online.
Price: $575.00 other currencies