1 page. Large octavo. Dated Trahütten, September 23, 29. With "Trahütten in Steiermark Post: Deutsch-Landsberg via Graz" typed in red ink at head. With the original envelope postmarked September 23, 29 with Klenau's name and address in Copenhagen and Berg's return address in Vienna typed in red ink to verso. Several small corrections, presumably in the composer's hand. In German (with translation).
Berg reacts to Klenau's announcement regarding a performance of the Three Fragments from Wozzeck (in an unspecified location). He encloses the sung text of the fragments (enclosure not included) and expresses his wish to meet Klenau again in Vienna during the next season, when Wozzeck will be staged there.
"This, my dear Paul, is a big surprise! And it doubly pleases me that you are going to do the Fragments from Wozzeck... not only as a fact, but also because of the friendship that you are demonstrating... Strangely, just today, browsing through old sheet music, I found a program leaf with the texts of the Fragments that you may perhaps make good use of for the performance. Maybe such a program insert would be welcome to an audience not really be informed about Wozzeck... For this season I will have – listen and marvel (I myself marvel most of all) – eight to ten stages for Wozzeck. Even Vienna among them!... "
Very slightly worn; creased at fold; envelope slightly worn and soiled.
"Along with his teacher Arnold Schoenberg and fellow pupil Anton Webern in the years before and immediately after World War I, [Berg] moved away from tonality to write free atonal and then 12-note music. At once a modernist and a Romantic, a formalist and a sensualist, he produced one of the richest bodies of music in the 20th century, and in opera, especially, he had few equals." Douglas Jarman in Grove Music Online.
Three Fragments from Wozzeck, for soprano and orchestra, was composed upon the insistence of conductor Hermann Scherchen, who hoped to direct a concert suite of pieces from Berg's 1925 opera, Wozzeck. Scherchen premiered the Fragments in Frankfurt on June 11, 1924.
Paul von Klenau (1883-1946) was a Danish composer of German descent who was trained in Germany and spent most of his creative life there. From the 1920s, he was close to Schönberg's circle and adopted its dodecaphonic techniques. His last completed work, the Ninth Symphony, received its premiere in Copenhagen in March 2014, almost seventy years after its composition. Item #24358
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