[Cendrillon]. Les Mandores. Autograph musical manuscript, being part of a ballet divertissement from act 2 of the composer's opera Cendrillon. Piano reduction. With an autograph note signed in Massenet's hand on a separate leaf: "Quelques mesures manuscriptes du 2e acte de "Cendrillon" (1898) Paris 3 Nov. 1910." Jules MASSENET.
[Cendrillon]. Les Mandores. Autograph musical manuscript, being part of a ballet divertissement from act 2 of the composer's opera Cendrillon. Piano reduction. With an autograph note signed in Massenet's hand on a separate leaf: "Quelques mesures manuscriptes du 2e acte de "Cendrillon" (1898) Paris 3 Nov. 1910."

[Cendrillon]. Les Mandores. Autograph musical manuscript, being part of a ballet divertissement from act 2 of the composer's opera Cendrillon. Piano reduction. With an autograph note signed in Massenet's hand on a separate leaf: "Quelques mesures manuscriptes du 2e acte de "Cendrillon" (1898) Paris 3 Nov. 1910."

Folio (350 x 270 mm). Modern maroon morocco with marbled boards. 4 pp., notated in ink on 20-stave music paper with blindstamp of H. Lard-Esnault Ed. Bellamy sr, Paris on one side of the leaf only.

A fair copy of a piano reduction of "Les Mandores" in A major, 3/4 time. Tempo: "Assez Modéré (sans lenteur)"; metronome mark: "120 = [quarter note]." Autograph note to upper left corner of p. 1: "3ème entrée." Several erasures. Cautionary key and time signature for continuation after final double bar (D minor, 12/8 time).

System breaks and pagination marked up in pencil in an unknown hand, both matching pp. 172-75 of the first edition of the piano-vocal score published in Paris by Heugel in 1899. The markup, as well as the cautionary key and time signatures at the end, allow for the conclusion that the present copy is part of the engraver's copy of the opera.

All leaves guarded and with early horizontal crease; slightly browned; small stain to final blank page. In very good condition overall.

"Les Mandores" is part of an extended ballet divertissement in the second act of Massenet's opera Cendrillon. It is not included in Massenet's original manuscript piano-vocal score, dated 1895 (Bibliothèque nationale de France, département Bibliothèque-musée de l'opéra, RES-563); there, the "2ème entrée" of the divertissement ("Le Fiancés") is immediately followed by "Le Rigodon du Roy," counted as "3ème entrée."

In the first edition "Les Mandores" appears as the "3ème entrée" (pp. 172-75) and another new movement, "La Florentine," as the "4-ème entrée" (pp. 176-79); the "Rigodon du Roy" is renumbered as the "5-ème entrée" (starting at p. 180 ).

The autograph manuscript at the Bibliothèque nationale is also notated on one side of the leaf only, is on the same paper as the present manuscript, and carries engraver's marks in the same hand. System breaks and page breaks match those of the first edition; pagination, however, does not. It appears that Heugel prepared, or at least planned, an earlier edition based solely on the manuscript in the Bibliothèque nationale, but as the premiere was delayed by several years, the publisher apparently put the project on hold. In the interim, Massenet added the new entrée (and made other changes as well), necessitating changes to the pagination of the printed score. Item #25157

Price: $5,500.00  other currencies

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