Paris: A. Durand et Fils [PN D. & F. 4025], [ca. 1891]. Octavo. Original publisher's ivory printed wrappers. 1f. (title), 1f. (illustration of a scene from the opera), [i] (facsimile of 2 medallions under which the text "Benvenuto fecit" is printed), [i] (note regarding the Mise en scène), [i] (named cast list), [ii] (table of contents), [i] (blank), 363, [i] (blank) pp. Text in French.
With publisher's monogrammatic handstamp to blank verso of rear free endpaper. Cast list includes the names of the singers for the opera's first performance. Plate number to pp. 362-363 only. "Prix net: 20fr." printed to spine.
An attractive copy.
Second Edition. Second version of the opera. Lesure II, pp. 152-153. Ratner II, p. 205.
Ascanio, to a libretto by Louis Gallet after Paul Meurice's play Benvenuto Cellini, was first performed at the Paris Opéra on March 21, 1890.
"Composed in 1887–8, Ascanio makes a grand opera of a play of intrigue set in Paris in 1539. Meurice, whom Saint-Saëns knew well, had collaborated with Alexandre Dumas père on his novel Benvenuto Cellini, published in 1843, and had fashioned a successful play from the story in 1852. To avoid confusion with Berlioz’s opera the title was changed (even though Cellini is still the principal character in the drama) and a scene in the play where Cellini runs out of metal when casting a statue was not included. The choice of an episode from Cellini’s life that took place in France at the court of François I satisfied Saint-Saëns’ longstanding desire to base his operas on French history, and by casting the third act as a fête at Fontainebleau (a departure from Meurice’s play) he found an opportunity for an extensive divertissement of 12 dances very much in the spirit, and to some extent in the style, of French Baroque opera." Hugh Macdonald in Grove Music Online. Item #26036
Price: $85.00 other currencies