[Op. 22]. Quartett für Geige, Klarinette, Tenorsaxophon und Klavier op. 22 Partitur. [Full score]. Anton WEBERN, von.

[Op. 22]. Quartett für Geige, Klarinette, Tenorsaxophon und Klavier op. 22 Partitur. [Full score]

Wien... Leipzig: Universal-Edition [PN U.E. 10.050], 1932. Small folio. Original publisher's. Printed note "WEAG [Waldheim-Eberle AG)] 1930" to lower right corner of last page of music. Publisher's catalogue "Werke von Anton Webern," numbered "123" and dated "VII. [July] 1932." to verso of lower wrapper.

A presentation copy, with a signed autograph inscription from the composer to title in black ink: "Dr. David Bach herzlichs überreicht von seinem Webern Nov. 1932."

From the collection of the noted pianist, teacher and collector Jacob Lateiner (1928-2010), with a note laid in from the distinguished music antiquarian Albi Rosenthal (1914-2004): "for Jacob - as a souvenir of his first (and frustrating) visit to Otto Haas - Albi, London, 12 May 1967."

Wrappers slightly worn and soiled.

First Edition. Moldenhauer pp. 714-15.

"Alban Berg repeatedly assured the composer of his special admiration for this work. On 19 August 1932 he wrote: 'This Quartet is a miracle. What amazes me above all is its originality...' Schoenberg was equally impressed. On receipt of the printed score he thanked Webern for the 'fabulous piece.' Today theorists recognize the Quartet as a masterpiece of formal construction." Moldenhauser pp. 426-27.

Dr. David Josef Bach (1874-1947), an important figure in Viennese cultural life in the first quarter of the 20th century, was a significant patron of the arts, an academic, and a writer who championed the dissemination of the arts to the masses. Many important musical and visual artists were indebted to his patronage and support, including Webern, Schoenberg (who wrote an atonal birthday canon of 21 measures for him in 1934) and Oskar Kokoscha (who executed a portrait of him).

"As a boy, Bach was a close friend of the young Arnold Schoenberg, who later named him as one of the three friends (the other two were Oskar Adler and Alexander von Zemlinsky) who greatly influenced him in his youthful explorations of music and literature... An active socialist dedicated to making the arts accessible to the working classes, it was D.J. Bach who instituted the Arbeiter-Symphonie-Konzerte ('Workers' Symphony Concerts') in Vienna in 1905. His wide-ranging activities earned him the hostility of right-wing groups, who denounced his artistic programme as part of a 'Jewish conspiracy' to undermine traditional Austrian culture. Such accusations were all the more vehement because D.J. Bach was also one of the earliest members of the Vienna Psychoanalytical Association which met under the aegis of Sigmund Freud and whose members were mostly Jewish... Music was, and remained, his central focus, and it was he who founded the amateur Vienna Singverein ('Vienna Choral Society') in 1919. This organisation, together with the Arbeiter-Symphonie-Konzerte and the 'Workers' Music Conservatoire', flourished until all were disbanded upon the new fascist government's outlawing of the Social Democratic Party and imposition of an authoritarian constitution in 1934. Anton Webern was active as a conductor of all musical organisations, and developed a close and enduring friendship with D.J. Bach..." Wikipedia. Item #26554

Price: $3,500.00  other currencies

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