[?Piramo e Tisbe]. Rondò Nel Lasciarti Amato Bene. Musical manuscript full score. Italian. Ca. 1788. Angelo ?TARCHI.
[?Piramo e Tisbe]. Rondò Nel Lasciarti Amato Bene. Musical manuscript full score. Italian. Ca. 1788

[?Piramo e Tisbe]. Rondò Nel Lasciarti Amato Bene. Musical manuscript full score. Italian. Ca. 1788

Oblong folio (320 x 230 mm.). Sewn. [i] (title), 41, [ii] (blank), 4 pp. Notated in ink on 10-stave paper. Ascription: "Der Sig:r Mae:o Angelo Tarchi." Header to title in copyist's hand: "In Pisa nel Primavera dell'Anno 1788 Cantato dall'Celebre Sig:r Pietro Muschietti." "Po I No. 11 [?14]" to lower left corner of title. Various watermarks (three crescents, etc.).

Aria of Piramo (soprano castrato). Ten-stave system. Scored for [2] Violini, [2] Oboe, [2] Corni [in F], [2] Viole, voice, unfigured instrumental bass. In F major.

A second text underlay has been added in a different hand to several passages (written below the instrumental bass). Incipit: "Ho perduto Ogni mio bene..."

Final four pages (one bifolium of different paper; watermark of three crescents) notated in a different hand; apparently added later. Note to upper left corner of first extra page: "Rec:vo antecedente a questo che siegue dovrà posare i in alamire terza min:e, a in elami con sesta e terza min:e." Five-stave systems; scored for [2] Violins, Viola, voice [Piramo?], and unfigured instrumental bass. Recitative modulates from D minor to B-flat major. Text incipit:

Eh mio Signore
Ciò[?] possibil non è
Troppo son gravi
Le angustie del mio cor.

It is not clear whether this recitative belongs to the same work as the aria; there is no trace of the "recitativo antecedente."

Spine and edges of some leaves frayed.

An enigmatic item. RISM lists no piece with the same music but several with the same text - arias from Giovanni Battista Borghi's Piramo e Tisbe (libretto by Gaetano Sertor), Filippo Maria Gherardeschi's Artaserse, Giuseppe Giordani's L'Acomate, Nicola Zingarelli's La morte de Cesare, etc. The identification of the character as "Piramo" in the present manuscript points to an opera on the subject of Pyramus and Thisbe, using the same libretto as Borghi's; Tarchi, however, has never been credited with such an opera.

In addition, Gino dell'Ira's I teatri di Pisa 1773-1986, which chronicles all operatic performances in the city, mentions neither Tarchi nor any opera on the subject of Pyramus and Thisbe; likewise, the singer Pietro Muschietti is not mentioned.

The ascription and note on the Pisa performance to the title of the present manuscript are thus somewhat puzzling. The unusual division of the violas might offer a clue to the authorship of the work upon further research. Item #26919

Price: $685.00  other currencies

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