Firenze: Luigi Bardi, 1822.
10.35" x 7.5" (263 x 190 mm.). Matted, framed, and glazed. Overall size 19" x 15.25".
Some creasing and rippling but in very good condition overall.
From the collection of Marilyn Horne (b. 1934).
Cagli & Bucarelli: La Casa di Rossini Catalogo del Museo 81. Scarce.
"No composer in the first half of the 19th century enjoyed the measure of prestige, wealth, popular acclaim or artistic influence that belonged to Rossini. His contemporaries recognized him as the greatest Italian composer of his time. His achievements cast into oblivion the operatic world of Cimarosa and Paisiello, creating new standards against which other composers were to be judged. That both Bellini and Donizetti carved out personal styles is undeniable; but they worked under Rossini's shadow, and their artistic personalities emerged in confrontation with his operas. Not until the advent of Verdi was Rossini replaced at the centre of Italian operatic life." Philip Gossett in Grove Music Online.
A distinguished American mezzo-soprano, "Horne had a voice of extraordinary range, rich and tangy in timbre, with a stentorian chest register and an exciting top... In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde’s Immolation Scene, proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist, singing lieder, mélodies, Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online.
Price: $200.00 other currencies