Image size 218 x 179 mm, with identification and date of April 26, 1947 in pencil to verso. A reproduction of the painting by Nikol Schattenstein.
From the collection of the distinguished American mezzo-soprano Marilyn Horne (b. 1934); previously in the collection of Walter Honig.
"The heroic scale of his singing, even as experienced through recordings," marked Lauritz Melchior as the foremost Heldentenor of the twentieth century. "In his later years [he] sang little but Wagner, and concentrated on the heaviest roles, in each of which he appeared over 100 times (as Tristan, over 200). These figures suggest the stamina and endurance that enabled him to sound fresh in the last acts of Tristan and Götterdämmerung. A certain baritonal warmth remained a welcome characteristic, but there was no corresponding constriction in his top notes; Siegfried’s lusty high C always rang thrillingly. These virtues were coupled with vivid and enunciation." Desmond Shawe-Taylor in Grove Music Online.
The Honig family emigrated from Vienna to England in September of 1938 and then to the United States in 1939. The family papers are held at the Holocaust Museum in Washington, D.C.
"Horne had a voice of extraordinary range, rich and tangy in timbre, with a stentorian chest register and an exciting top... In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene, proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist, singing lieder, mélodies, and Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online.
Price: $70.00 other currencies